We Have a Ghost is the latest film from writer director Christopher Landon who had previously made a name for himself with the two Happy Death Day films as well as the body switch slasher Freaky. Based on the short story Ernest by Geoff Manaugh, Landon taps into more high concept territory as he takes the familiar premise of comic haunted house movies (such as 95’s Casper and especially Burton’s Beetlejuice) and puts his own spin on it for the modern age. Like Landon’s previous efforts, he takes a well trodden formula and makes it feel fresh thanks to a smart script, strong direction, and good performances from the ensemble.
We Have a Ghost, is a strong high concept comedy that features a great comedic performance by Harbour and a likable ensemble strongly directed by Landon. Landon’s script remains funny for a good chunk of the running time, but does feel like it loses some integrity around the 90 minute mark and feels like the third act could’ve done with a bit of tweaking. A solid recommendation especially if you’ve an affinity for the likes of Beetlejuice, Ghostbusters, or Starman.
Seeking a fresh start in Chicago, the Presley family moves into a dusty fixer-upper they soon realize comes with a catch: a ghost in the attic named Ernest (David Harbour). Despite Ernest’s attempts at scaring teenage son Kevin (Jahi Winston), the detached, music-obsessed teen soon finds a kindred spirit in this trapped soul from the ’70s and commits to helping him.
Meanwhile, Kevin’s affable-yet-harsh father Frank (Anthony Mackie) looks to cash in on Ernest by turning him into a social media sensation. When Frank’s video of Ernest goes viral and captures the world’s attention, the family lands on the radar of Dr. Leslie Monroe (Tig Notaro), a washed-up paranormal scientist who alerts her old boss, Deputy Director Arnold Schipley of the CIA (Steve Coulter), restarting a clandestine program aimed at capturing a ghost. As crowds, reporters, and government agents descend upon the Presley home, it’s up to Kevin and his sharp-witted, fellow outcast neighbor Joy (Isabella Russo) to break Ernest out, uncover the mysteries of his past, and bring him the closure he needs before it’s too late.
The center of the film is undeniably David Harbour as the titular ghost and it’s a fantastic performance from Harbour in spite of the fact he can’t speak. Harbour was hesitant to take on the role as it would be challenging to create a compelling character without words, but Harbour shows just how versatile and charismatic of a presence he is not only scoring big laughs from his physicality and the pantomime nature of his performance, but also eliciting some strong emotional resonance and a sense of sadness and tragedy that makes you really care about him. Outside of Harbour, the movie is supported by a terrific ensemble. Jahi Winston is very good as the co-lead and he makes a solid audience proxy whom we enjoy seeing go through the supernatural shenanigans. Winston does a good job of making his interactions with Ernest and his neighbor and love interest Joy played by Isabella Russo very endearing and when the three of them are together in the movie they play off nicely against each other. Anthony Mackie, Erica Ash, and Niles Fitch get some good mileage playing Kevin’s family and their varying reactions to how the ghost affects their lives with Frank booking TV appearances, Fulton using it for popularity and Mel at her wits end with the crowds of Ernest fans and TikTokers camped outside their house leads to some fantastic comic set pieces. Tig Notaro is also very good as Dr. Leslie Monroe who serves as our primary antagonist and serves as a more nuanced take on the role Walter Peck played in Ghostbusters. Tig brings a lot of humanity to the role and does well playing a driven and quirky CIA agent.